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They sat in the dim living room while the man threaded an old projector like a priest preparing relics. The film that flickered between them showed a street not unlike Ayan’s, a woman carrying a child, laughter caught like dust motes in the frame. He watched and a name came back—a festival they had attended when his father still joined them at the table. With the memory returned, his chest tightened as if something damp had been wrung out.

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During one film a woman in a red dress laughed in a language he did not speak, and when it ended the old man’s coffee cup was empty though he hadn’t sipped. “They borrow things,” the man said. “They trade. The projector has a hunger. It always takes something in exchange.”